The consequences of Silver and Lead continue to spin out throughout the fae communities. Turns out that it really messes with your head to have memories of 2 lives lived - especially one so dramatically different than the real one. We are also seemingly close to ending the major story arc for Rayseline (if this book wasn’t the end of focusing on it for now).

Very few people crazily jump straight into book 20 of a series, so I’m assuming if you’ve made it this far and are perusing this review to consider whether or not to keep going - you’ve read the prior 19 books. (And perhaps the associated novellas and short stories. If you’re not, you REALLY should join her patreon - the $1 level gives you 1 Seanan McGuire short story per month) Ever since Titania’s Matrix (as we call the events in my household) I feel like the October Daye books are stuck on neutral. To take things to a SF analogy, since that’s the book’s setting, it’s like we can’t quite crest the hill and get to the next intersection. I am enjoying the books. Last night I made a bad choice and stayed up until midnight to get to the penultimate chapter and would have probably stayed up later if I didn’t have a bunch of meetings today.

I thought the last book was terrifying, but this one is way, way worse. Although both books involve both mankind making bad choices as well as supernatural forces, this one is one that is more likely to happen in real life. Because it is mentioned in the first paragraph or two, I do not feel like it is a spoiler to say that this book involves Cleric Chih going to gather stories from a town that suffered from an incredible famine some 11 years prior.

This story starts quite abruptly, a change from the usual Singing Hills novellas. I noticed, but figured it was Vo wanting to try something different fore the 5th entry. I should have paid a bit more attention.

This story seemed to me to be a mix of a European folktale and asian mythology, but there are also a lot of themes that seem to be universal among humans. For example, I just learned today of a historical myth around one of the big samurai families that involves a swordsman meeting a monk at a bridge and engaging in battle that is reminiscent of Robin Hood. As usual, it’s hard to talk too much about the story or themes of these novellas without ruining the twist (they almost all have a parallel story structure to a mystery story). I would say that another clue things are off within this narrative is that Chih doesn’t quite ever get the stories she seeks.

A very different environment for Cleric Chih, but no less about stories than the other entries in the series. We even learn a bit more about Signing Hills and the neixin. A great story that has hit me extra hard this year due to some family stuff, but I don’t want to spoil the story.

As always, I love Nghi Vo’s magical realism version of China. The cleric Chih and their mission to document all the knowledge reminds me somewhat of Sazed from the first Mistborn trilogy, another favorite character of mine. This time she’s in the Riverlands, which seems to be a kind of asian version of the American wild west (at least as depicted in movies and tv shows). It also introduces (I think…I don’t remember seeing it before) some wuxia into the Singing Hills series.

I think this book is my second-favorite of the Secret Novels (or Hoid novels), after Tress, and potentially tied with Yumi or just ahead of it. Like many of the Secret Novels you can get through most of it without knowing too much of the Cosmere, although, like many of the Secret Novels, portions of the climax and falling action might sound like nonsense to you if you aren’t caught up with The Cosmere. Although if you’ve read up to Stormlight 5 you’ve likely read all the rest of the Cosmere, if you’re one of those Cosmere readers that reads each series in order rather than in publication order, Stormlight 5 has the many relevant connections to what’s going on in this story. I would also say that Isles of the Emberdark would also be highly relevant to this story.

Tim Pratt has done it again. They have taken a TTRPG setting and turned it into a fun adventure. This book has a similar framing device as the previous one - in the present Dae and Chk Chk are reading the journal of Tyrcell the Android which takes place about 20 years before. The past portions of the book take place about 3-4 years after the events of the first book. Things have calmed down a bit since the events of The Gap and The Society (what eventually becomes the Starfinder Society) has been formed. The main portion of that story has to do with an attack on Absalom Station by Eox, a planet of undead.

I’ve read a few GM guides (including for D&D and Tales of the Valient) and this one was the one that gelled most with the way my mind works. While it is strongly tied to Starfinder 2e, it has quite a few universal lessons to teach. Along with the others I’ve read, I think this is a good book to revisit now and again as I gain more experience.

This pair of short stories by Dragonsteel employees Dan Wells (who is also an author in his own right) and Isaac Stewart (the illustrator of many Cosmere books and head of art at Dragonsteel) was originally created for the Sanderson convention. (Nexus? I think) The first story is about Jasnah and fills us in on what happened to her between when she was on the ship with Shallan and when we see her next in the main books. While it does have some character growth for Jasnah, it was not my favorite short story. A lot of action happens off screen (which is played for laughs), but almost achieves the platonic ideal of journey over destination. It’s so much about the journey that we mostly only see her while journeying after having done some cool stuff in some city (which we hear snippets of). It left me with the feeling of seeing a scene that was cut from a movie after which I would say, “Yeah…that didn’t need to be in the movie.”

It’s pretty rare for me to find an anthology in which I love every story, but this one really hit it out of the park! Here are my per-story reviews:

Intro: Getting Martha Wells to write the intro is an amazing get! She also does a great job pointing out what we are saying about ourselves (humanity) with our AI/robot stories. (Mostly related to slavery) It reminds me A LOT about recent discourse about alien invasion narratives and what that says about collective guilt about colonialism. Brilliant intro and it resonates even more in 2026.