I was bringing some more concrete pads over to my BBQ area and Stella wanted to help.
This book started off seeming as though it would be some sort of Victorian, Steampunk Speed Racer. But that turned out to just be a red herring to introduce us to the characters and set up some of the conflicts. I also thought it would focus more strongly on the floating island, Inselmond. It seemed as though it would be one of those islands that feature in many anime and JRPGs where the rich or magical live. Nope, that served as a McGuffin of sorts – although in a lot of ways the Black Mercury of the title is practically a McGuffin, but there might be some debate about that.
In actuality, this ends up being a Victorian Steampunk thriller. Like many of the steampunk novels I’ve come across, the main theme is that of a world in which women do incredible things, but have to fight for recognition and prosperity. The world as conveyed by Ms. Charlotte English is a fascinating world full of many characters I’d love to see again. I’ve come to find out this was a Kickstarter-funded series. I hope it did well enough to convince the authors to return to their characters.
On the assumption that Ms. English is not writing under a pen name, I don’t know if it’s because she’s a woman or if it’s inherent to the steampunk genre, but it was nice to read a story that focused strongly on relationships and how people react as the relationships change. Sure, that’s story-telling 101, but it’s not always as believable as it works out in this novel.
I don’t really think this book was “AMAZING”, but I gave it an extra star for doing a good job of messing with my expectations. I’ve been reading nearly 30 years now so it’s very hard for an author not to fall into the trap of various tropes that leads me to be able to guess the plots of most books before they get to their twist. (With the exception of noir or detective novels and some POV books like ASOIAF because the characters have an extra-limited perception of what’s going on)
This book, however, was quite timely for me to read now as I just heard the Fresh Air interview about the book Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked in which he mentions how some MMOs like World of Warcraft use psychology to keep us coming back to the games almost against our wills. That’s not exactly the plot of this book, but it’s not too far off.
Speaking of that, I got this book as part of a bundle and most of the other books in the similar vein focus on either the players or the designers. This one focuses on both and actually does a good job of not drowning under too many characters. Everyone’s set up well and has a pretty good arc. Even the most one-dimensional character, CEO secretary Mrs Hernandez, ended up being one of my favorite characters because of how her portrayal made me think of secretaries differently. It was also neat to get glimpses of the side characters’ real lives because it gives an idea of the diversity of gamers and how their real lives affect their gameplay.
I also like how the book is layered – both the players of the MMO and the employees are playing games and in each case, those who understand the game mechanics best do the best in their respective games.
Finally, let me add that P. Aaron Potter (hopefully old enough not to have been teased about that surname) has done a pretty good job on the realism of everything and everyone. The parents are pretty realistic parents, not YA book parents. The gamers seem pretty realistic compared to gamers I know. The feds are portrayed pretty realistically as far as fiction goes. Shoot, the author even avoids all the stupid NSA tropes and more or less seems to understand what the agency does (and how it differs from the CIA and FBI).
Excellent all the way through and so far the best of this genre that I’ve come across.
I’m pretty dang sure I got this book during one of B&N’s free ebook fridays. I don’t know if they still do that, but it’s something they used to do when I first got my Nook. There’s no way I would have bought this book on my own. That said, this book is just as pulpy as you’d expect from the cover – a painted look from back when they would use illustration rather than photos for book covers and a mostly naked woman watching a muscular man dispatch someone else. This cover’s pretty accurate to a scene in the book except that the woman isn’t wearing a bikini – she’s fully clothed, but her recently ripped shirt has exposed her bra.
Reminding me of the action of an Indiana Jones movie mixed with Johnny Quest, it was a blast to read this action-archeology fiction. It’s like The Da Vinci Code, but without its head up its arse trying to seem all conspiratorial. To keep the comparisons going, the main characters – the Hunt Brothers – reminded me of Batman and Oracle. Not in the sense that an animated version of their most famous story ends up with an awkward sex scene, but in that they’re rich and well-connected in society, but one also can do battle with bad guys and survive despite the odds while the other stays at home and does all the research and smart guy stuff.
As for the plot, again it’s nice and pulp and McGuffin-y. A woman tries to give the Hunt brothers a historical artifact and is kidnapped. One of them tries to save her and that chase leads all over the world. There’s sex (but no sex scenes), action, adventure, ruffians, rich people who are pure evil, and bad guy Russians. Oh, and despite the cover and pulpy nature – it was written in 2009 and takes place in modern times.
If you want some pure dessert as a break from more serious fare, this is a good book to read.
Disclaimer: I was a kickstarter backer on this book
I Kickstarted this book because I liked Weiner’s work on Saturday Morning Breakfast Cereal and because the description sounded appealing to me – create a book that would appeal to a young, nerdy female. I’ve two daughters and the one who can talk (the other is only 15 months old) appears to be genuinely curious about the world around her and might relate to Augie in this book.
I think I would have reached peak enjoyment of this book around middle school age. I think it has a good plot for a kid’s book and I like the logic, math, and ethical problems it asks the reader to consider. However, it has a certain level of absurdity that I’ve outgrown – I can appreciate it from a distance, but it doesn’t tickle me as it once did. And that’s OK, our tastes change as we grow older – I can still appreciate Dr. Suess, but a lot of it was also way more appealing to me when I was in elementary school.
Depending on your child’s reading level and understanding of concepts like fractions and logic, I’d recommend somewhere around 7 years old and up as a good age to share this with a budding nerd in your life. Augie’s a good role model and while the number of female protagonists continues to grow, it’s nice to have one for girls (and guys) to read.
While in some ways this is an OK thriller, it makes for a very fun read. Ms Drake has created a very interesting universe which has the relationship between witches/warlocks and humans as the inverse of Harry Potter. In HP the magical world is kept hidden from muggles to prevent persecution. But in this alternate version of our world, humans know that warlocks have god-like powers and are keen to make themselves scarce when warlocks and witches are around.
I like the tone of the book, which reminds me of Joss Whedon or John Scalzi – a sarcastic witty that walks a line between too serious and too funny.
While there are a couple spots where things perhaps worked out a bit too cleanly, I think Ms Drake sets up a good set of conflicts, only one of which is fully solved by the end of this book. (Which I believe is part of a trilogy) I think the characters have a great, believable dynamic and I enjoy her take on the various fantasy tropes and characterizations.
Reader beware (either for good or for bad depending on your morals/personality/etc) there’s a pretty explicit sex scene. I think it did a pretty good job on titillation vs the natural corniness of putting sexual feelings and actions into words.
Ms Drake has created a fun playground and I’ll probably come play in it again.
This is the middle book of a trilogy (I think….maybe a quadrilogy? Because there’s another book called Extras). Therefore, not much happens narratively. I think it continues to have pretty good metaphors for teen life revealed via this dystopia, but it was slightly disappointing to not really move forward very much compared to the first book. In fact, it takes the entire book to do what they planned at the end of the first book. Like the middle book in a trilogy, there is a lot of fleshing out of the world, and that’s neat.
Some of the SF also goes a bit wonky for narrative reasons. Explaining it to the wife revealed how silly it can sound.
Anyway, it’ll be interesting to see where this thing goes.
Disclaimer: I was a Kickstarter backer on this anthology.
As usual for an anthology, here’s what I thought of each story.
“Standing Still – A police psychologist confronts someone that looks liek he’s going to blow people up. The entire short story is their conversation. I think it suffers only slightly from being in a time travel anthology because it takes a while for one of the characters to admit that. I thought I knew what the twist was going to be, but damn you, Donald J Bingle, for screwing with my emotions on that ending.Great job”
“The Hourglass Brigade – Once again involves and agency involved with maintaining a certain timeline, but very different than the previous one. This time it involves agents and who to trust. Could be a great episode in a revived Twilight Zone.”
“The Master of Time: A fantasy story in a world where keeping a clock running is essential to keeping time going. Good world-building, even if I saw the twist coming.”
“The Mistakes of the Past – Very short story. A prince seeks greater glory for his empire and uses time travel to achieve his means. Saw the ending a mile away,but it was still very fun to read.
Alfie’s Choice – Now this one did NOT go the way I thought it would. A young man has to convince a Victorian person to come to the future with full consent. Good story.”
“The Tea-Space Continuum: Cute story about why tea keeps disapearing and someone who tries to figure out why.
Foundering Fathers: Time Travelers visit an important era in US history. A good amount of humor. One of those stories where the assistant is better than the master.”
“Postcards From Home: An archeologist finds letters to her buried in her yard. To say more would ruin the short story. No twists this time, but very emotional.”
“Repeat Performance: Plays with the trope that time travel aways ends up in sex with one’s self.
Fixed Point: A professor invents a time anchor for time travel. GREAT Ending. Love the characters as well. Well done, Liam Hogan.”
“The Light of Tomorrow: Some kids go to an abandoned area to make out and find out it’s a very important place.”
“True Mileage Unknown: A scary urban fantasy that has a very unexpected ending.”
“The Neverending Patch Day: Management, IT department, patches, and a time machine. What could go wrong? Sadly reminds me too much of my reality (minus the time machine)”
“Serendi-Bunny: This was an awesomely fun romp! In a world that’s almost ours, but has werewolves, a scientist is working on a cure for brain cancer when he has to deal with some people that don’t agree with his research. Lots of fun puns and references to pop culture. I’m not sure I agree with the last few paragraphs, but the rest of the story is top notch.”
“Gesundheit: Very sad.
Arbiters: Well, that was a huge mind-screw. LOVE IT! And you will too, if you enjoy seeing how authors get out of time travel paradoxes.”
“Destinations: A catty rivalry between two women who sell time travel destination packages (like travel agents). Fun with just the right amount of seriousness.”
“Equinox: A wizard gets stuck in a time loop. A slightly more magical, condensed version of groundhog’s day. That ending’s a real doozy, too.”
“Martin the Guinea Pig: A guy who doesn’t have it all together ends up signing up for a professor’s experiment. The style was fun. But I REALLY did not get the ending reveal.”
“For the Greater Good of All: A man goes back in time to kill The Enemy. Great world building. A savvier person would have guessed the ending from the date, but I had to read the last sentence twice before I realized the brilliance of it all.”
“<500: A terrifying accidental time travel story. I think you can PROBABLY guess the twist ahead of time, but they did keep me guessing, running through all the tropes in my head.”
“A Time to Change the Present: Very short, but very well done.Too short to say much about it, but it’s a great one.”
“Sunny Days: A diner in the 1960s has a run-in with a time traveler. Loved it.”
“The Long Haul: This one is the most unlike all the others in the collection. There is time travel, but nothing at all like the rest. It is beautiful and poetic, even if it doesn’t meet the subtitle of “Time Travel Gone Terribly Wrong”. I really, really enjoyed it a lot, but to speak of why would ruin the beauty.”
“Time’s Up: Ms Kimber Grey weaves a lovely story involving an acolyte at a priesthood serving the God of Time. While I don’t feel it meets the subtitle of Ms Kimber’s anthology here (I didn’t feel Time Travel had gone wrong), it is a great story that I’m glad I was able to experience. I certainly wouldn’t mind more stories in this Universe.”
“Liminal House: Didn’t like it because it was a bit too coy about how the main premise worked.”
Just using the Weber Kettle mom got me last winter to make some AWESOME fajitas!
When I first added this book to my To-Read list on Goodreads about 3 years ago, I thought it was another take on the Akira concept – some kids being experimented on by the government and it turned out they made the kids too awesome and so the kids murder everyone and escape. It turned out to be much, much worse. I’ve read a lot of dystopias, but this one was the most disturbing one I’ve read. If you want to go in completely ignorant of the rest, go read it now. The rest of this review will contain mild spoilers (as in revealed in the first chapter) and any heavy spoilers will have the spoiler tag.
Although I’d been spoiled about the fact that it was a zombie book by seeing an article in which the author was interviewed about the movie, this would be been guessable by anyone who isn’t a kid the first time they mention “the hungries”. What I started guessing, but was revealed pretty early one – first or second chapter – is that the main kids are some special kind of zombies that mostly retain normal behavior as long as they don’t smell human endocrines. The tragedy comes, of course, from the fact that these children are being educated like normal children, even if their treatment is inhumane. They don’t really understand what’s going on, especially Melanie, our main character, who has a genius-level IQ.
From a meta perspective, what I like about what Carey does here is that he has a rotating POV that allows us to not always be stuck in the mind of a kid who has no idea what’s actually happening. There are certainly stories that are fun to read like that – for example nodding knowingly while reading Uglies while they guess at the purpose of train tracks and roller coasters – but this one is stronger for not doing that. Accordingly, Carey starts us off with the adult characters as caricatures. But as we pass through their POV chapters Grizzled Vet Parks, Newbie recruit Gallagher, evil scientist Caldwell, and almost naively maternal Justineau reveal the depths to their characters and their motivations. It’s a tribute to Carey’s writing that the reveals seem pretty natural. It’s also a great example of how we often ascribe the wrong intentions to people’s actions. On the medium level spoilers.
Eventually it’s revealed that the book takes place in England. Carey’s descriptions of society as the infection took hold and in its current incarnation give just enough information for us to fill in the blanks. Combine this with the eerie rules he’s setup for his zombies – they remain perfectly still until they receive stimuli – sound, smell, sight – and then they relentlessly pursue their prey and it’s pretty chilling. In the extra materials in the book, he mentions there are lots of differences in the movie, but I think this is one of those things that could potentially translate to incredibly scary on the screen. The junkers are a great addition to the plot as well – survivalists who were indeed able to survive society falling apart around them. Just as historians hypothesized may have happened as humans were first learning to have cities – they have disdain for those who have chosen to live in the walled, protected cities and have their own Mad Max like culture. Now to the big spoilers which will be in the spoiler tag.
Near the end when Carey reveals that it’s been almost half a year since he heard from Beacon, it’s pretty crazy. If I wasn’t already so addicted to this book that I read it in the fasted pace I’ve read a book recently – see the graph on the goodreads page – that would have sent my head spinning. Was Dr. Caldwell’s impending murder of half the kids going to be for naught because they were the only ones left alive anyway? Were they heading into a horrible situation where they thought they were safe?
Speaking of Dr. Caldwell, once you realize that without knowledge that the kids were special and that special lab equipment she was going to kill the kids in vain – it was extra horrible.
Finally – that ending, right? HOLY MOLY talk about Melanie making decisions! After 2 decades, the junkers were toast. And what was going to happen next? And what would the kids end up eating? That’s what kept me up after finishing….
This version of The Forever War contains an intro by Scalzi. In it he basically talks about how he somehow avoided reading TFW when it first came out and it’s a good thing because he would have done Old Man’s War differently. He mentions that lots of fans and haters assumed he stole from Haldeman. I DON’T see it. At. All. Starship Troopers – that’s different. A case can be made that Scalzi updated Starship Troopers for OMW. (That, of course, is unfair to Scalzi and the creativity that went into OMW….I’m just saying if you’re going to be making “plot stealing” comparisons….that’s a much better one).
Anyway, as I mentioned in my Starship Troopers review, I’d read somewhere that The Forever War was a response to Starship Troopers shaped by the following generation’s war experiences. While Heinlein does a pretty fair job of describing the perils of war – being a named character does not save you from death – it’s still presented as a noble and great endeavor. It’s what makes you worthy of citizenship. For Haldeman, a Vietnam vet, war based on a draft is a pointless drain on society’s best and even worse if it’s all for a stupid reason. Vietnam vets were also the first vets post Civil War that came home to a society that hated and resented them.
Unlike ST in which Juan Rico signs up for the space army, our protagonist is conscripted by a law that drafts those with the highest IQs to join the military. We jump in on an already demoralized group in bootcamp. The characters are smoking joints just to make it through basic. Then they go to the next level of training in which people die in stupid ways as they get used to their new mechs – unlike ST’s mechs where a handful of people die as they are climbing a mountain.
Mr. Haldeman took advantage of something we see most space SF ignore in order to get at the reason that the soldiers had so much trouble re-integrating into society. Because the soldiers were traveling at relativistic speeds, they spent 2 years fighting a war to come back to an Earth that had aged forward 50 or so years. Lots had changed, and not for the better. When Haldeman was writing crime was increasing and it was pretty reasonable for him to create the parody of crime extrapolating out. And as the war goes on, each time our main character makes it back to a human planet so much time has passed that at the end I think a thousand years has passed since he started the mission. His last mission he even had trouble speaking with those under his command as English had changed so much. I also really enjoyed how it messed with the strategy of running a war. I don’t know if this happened in reality in Vietnam because the jungle setting messed with war comms, but it was crazy the troops would be sent on a mission hoping it was still relevant 400 years later when they arrived. (Not to mention not knowing what tech the enemy would have)
The only thing I found odd was the Haldeman’s ever-growing proxy for how much things were changing had to do with homosexuality. I GUESS it’s because people being open about it was just starting in the 60s and 70s? So most of his readers would have identified with our main character being increasingly alienated as it became the norm, then mandated, and so on. To me, reading in 2017 it just seems weird to be so fixated on that. (And it even ends up being a huge plot point in his final mission)
Of course, the biggest FU to the society that had forced him and his generation to Vietnam was the ending of the book. (view spoiler)[It is revealed that the war was a sham. When colonists started disappearing after using a little understood physics phenomenon – the collapsar – they assumed it must be aliens attacking them. So the first time they saw aliens, they attacked and started a thousand year war that wrecked human lives and human societies. They killed and were killed by the thousands. In the end the war was completely pointless. Once humanity evolves a hive mind, they can speak with the hive mind Taurans and the war abruptly ends. It makes the especially brutal final fight especially pointless. (hide spoiler)]
Overall, I thought the book was a GREAT read and a much needed difference in tone to the typical space military novel. Sure, they can’t all be like this – sometimes you want to read a “ra ra go humans” novel. But I think something like this is important to read once in a while. SF helps us explore our world through distance in time or place and I think this book remains extremely relevant. In some ways it’s even more relevant. While the lack of a draft means that anyone in the military signed up to be there, the smaller percentage of the population means that they get ignored and treated like crap when they come back physically and mentally damaged. There may be a next gen Haldeman out there waiting to update this sub-genre of the space military SF.
disclaimer: I kickstarted this anthology
Before I get to my usual anthology review in which I collect all my status updates into one place, I wanted to mention a bit about why I kickstarted this book and how I like the overall collection. One day I was trawling through the fiction section of Kickstarter when I came across this book (which had a different title at the time) and it ticked a few boxes for me. First of all, I’ve always found it fun to read a story from the villain’s point of view. So often authors take the easy route and create an anti-hero if they want to tell a story without a goodie-two-shoes protagonist. To make a villain sympathetic takes work. Second, it was clear some of the stories would take an irreverent tone. While good parody and satire are hard to pull off, I’m pretty tolerant about mediocre parody and satire. Finally, while LGBT characters are starting to take off – especially in YA fiction, it’s still somewhat of a relative rarity. Even harder to find is a LGBT character that doesn’t conform to heteronormative tropes: the sexy lesbian, the lispy gay guy, etc. Most aren’t aware of bears and other categories and that LGBT people come in as many shades of the rainbow (no double-entendre intended) as straight people do. So it was fun to read about things like seduction from a woman’s point of view, from a bi point of view, from a transgender point of view and see how they’re the same and how they’re different. And there are stories in which it matters that the characters are gay super heroes and stories in which it matters as much as the super hero being left-handed.
Anyway, I found it supremely enjoyable and if you’re into super hero stories and want to read something a little different, check it out.
Final Grades – the headmistress at a school for villains walks us through the year. Partway through – I have an idea how it might end, but unsure. Appears her superpower is manipulating others into doing what she wants. While I had an idea the plot would revolve around a challenge to someone (given the setup), the end result was a delicious surprise. (note: some graphic sex in that short story)
Date Night: Queer Villainess goes on a date as a civilian. Things go a little pear-shaped. I caught the twist quite a few beats ahead of the protagonist, but still a fun read.
Eden’s Revenge: “The file said this woman’s hacker handle was NrdGrl so she’d expected a pimply faced, nerdy science type. The centerfold for sexy librarians greeted Grey instead.” Someone decides the way to get revenge for being hurt is a tech-reset. Fun to read protagonist/antagonist seduction from a female point of view as well as a queer one and see the similarities and differences compared to usual.
Gentleman Jack: A fine, fine story in which the author takes the metaphorical power women have over others with their sexuality and makes it an actual power that some can control. Very fun read that takes place in 1800s.
Fallen: A villain gets revenge on a super hero. This is the first one so far to be tragic rather than fun. Doesn’t make it a bad story, just a little less into the relishing of the villainy.
The Devil Inside: Back to fun stories. A reporter interviews the Devil. Shenanigans ensue. Great world that would be fun for a novella length story.
“I fixed my powder blue eye-mask and took a moment to make sure the mandatory cleavage window sat right in the middle of my chest.”
Yup, it’s meta and irreverent and awesome. You know how some crow about the gay agenda to make everyone gay? What if that was actually a super villain plot?
For Want of a Heart: Another serious one, but I enjoyed a bit more than the other serious one. Redemption and free will are big topics and it’s told rather well. Could be a prequel short story to either a utopia or dytopia story.
Absolution: A witch curses a community when she’s burned at the stake. Also, takes place in a future dystopia.
So Many Things Seem Filled With the Intent: Starts off fun, then gets serious, then fun again. Probably #2 favorite in the collection thus far. Superhero and her mad-scientist girlfriend enlist help from a villain mad-scientist.
The Prado By Chance: A nice change in that the protagonist is not the super-villain. Instead she’s an investigator for an INTERPOL that has nothing to do since the rise of super humans. A fun world I’d like to spend more time in.
Jaguar Light: A villain decides to use magic to depower all the super heroes.
Chrome Crash: A very serious story on which to end things. A story worthy of Alan Moore or Jonathan Hickman or anyone else who has ever considered the grey morality of heroes in the real world as opposed to the fantasies we normally see in the Caped Comics.
I never saw the movie that came out in the 90s (or was it 2000s) and it seems like that’s a good thing. From everything I’ve heard from others it has about as much to do with this book as World War Z has to do with its namsake. I added it to my To-Read list ages ago because I read somewhere – Wikipedia or TV Tropes that The Forever War was at least partially a response to Starship Troopers by someone who viewed war differently because of the Vietnam war. Both are often cited as seminal to the genre of military space science fiction. So as I continue to read the classics of both literary and genre fiction, I figured I’d check this one out. Boy am I glad I did.
What’s most interesting about Starship Troopers is that in its near lack of technology it’s both timeless and dated. Scalzi has mentioned that Old Man’s War is already dated as the characters refer to their data tablets as PDAs, a relic of when it was written. The only real tech in ST is the combat suit and there’s really not much about it that seems dated. Some of the terminology would be different – the goggles would be referred to as Augmented Reality, but really barely anything needs to be changed there. Interestingly, the only other thing that really stood out to me was, again, both something that makes it seem dated and forward thinking: gender.
Heinlein, writing in the late 1950s, does imbue his characters a bit of a sexism and boys-will-be-boys attitude towards girls. At least in the way the main character talks about women and the fact that men guard the women’s quarters. But then he’s so progressive in having an integrated navy – women are considered the best space pilots and have found their niche there. So while assholes like Newt Gingrich were worrying about women having their periods during war in the 1990s, here’s Heinlein in the 50s imagining them playing a crucial part in the war to save humanity from its space-enemies.
What’s interesting is that going in I thought it was going to be a jigoistic book, since TFW is a Vietnam-era response to it. But Heinlein a verteran writing in a time in which a large proportion of the male population (and some women) were veterans of World Wars One and Two as well as the Korean War. So while there is a lot of talk about esprit de corps and how much military changes a man, he couldn’t stray too far from realism. Everyone reading ST had been to boot camp – they’d lost friends and family in the war. They knew what it was like to be a captain or sergeant. I haven’t served, but I work in a very military place and so I have a feeling it’s pretty accurate.
I think it’s interesting that Heinlein imagines a world in which the franchise (or voting citizenship) only goes to those who have served in the military and not been dishonorably discharged. He posits that those who have been in the military have proven they can put society before themselves. I must say that it does seem like a pretty sweet way to go given the way things have been going the last few decades with all of us reaping the benefits on the backs of a small portion of the population.
Finally, I wanted to mention that this book sets the template for the books that come later. It is more about the main character and how he adapts to military life than anything else. There are only really two battles depicted in the book. The rest is about his training and how he grows as a person. I recognize that immediately in both Ender’s Game and Old Man’s War. Shoot, Ender’s Game even borrows the bad guy: bugs.
If you saw the movie, put that out of your mind. If you want to see the origins of all the Military Space SF – it’s an enjoyable romp and you’ll only be reminded it’s old when the characters use books instead of ebooks. (and of course the language a little different – but not Shakespearean or something)
I am too young to have experienced it first-hand, but for a minute there in the 70s pornography went mainstream. Everyone was talking about it. It was “in” to see it. Regular theaters (as opposed to shady sex theaters) were showing movies like Deep Throat and Debbie Does Dallas. It was being discussed out loud rather than in hushed tones. To me, that’s what the buzz around Tampa about three years ago was like – everyone was talking about this book. While I do follow some smut fans on here who write VERY entertaining reviews, this was more like EVERYONE talking about it. So, after reading a portion of the first chapter and seeing the hyperbolic inner monologue of our main character, Celeste, I put it on my To-Read list. Also, it takes place in my home state of FL – where all the nutjobs live. There it sat for quite some time.
This book was both a very easy read (thanks to Celeste’s inner monologue) and a hard book to read (thanks to the subject matter). I don’t know what the author had in mind, but it ended up making me think A LOT about the particular situation depicted in the book. Basically, Celeste is a pedophile focused on early-teen boys. We’ve seen this a bit on the news and South Park even took it to the extreme with Kyle’s little brother (who’s, what?, three years old?) having sex with a teacher. Ms Nutting posits that this is essentially an addiction and writes Celeste as being so desperate for young adolescents that before becoming a teacher, she got her needs met by walking around the mall and looking at kids. In fact, it’s so bad that, like most addictions, she’s driven to more and more reckless behavior as not getting caught makes her bolder and bolder. Even at the end (view spoiler)[having lost her life of luxury and been on trial, she’s still going after young boys at the hotel she works at. (hide spoiler)] So on the one hand you end up feeling sorry (not empathizing, but feeling sorry) for this woman who we’re constantly told is the epitome of attractiveness who can ONLY get her sexual needs met via illicit means. Near the end she mentions being jealous that normal people can find anyone anywhere and hook up and get their needs met. In fact, contact with peers leaves her disgusted. I also don’t know if this is someone Ms Nutting researched or just threw in as another character trait for Celeste, but she is also OBSESSED with not growing old or showing signs of aging. Not the usual “20th/21st Century is BS because it requires women to never age, but salivates over men with signs of greying hair”, but full on psychological need to be young.
But then you see how she manipulates the children to get them complicit in the acts, and you realize why we call these people sexual predators. Celeste is taking advantage of the last time that women have societal power over males as well as the sexual confusion that comes with being a teen. Every time in her head as she plots out how to make things seem as though they came from him or were his idea is just so gross. And, according to a number of accounts I’ve heard on various podcasts – it’s entirely accurate. Pretty much no one just rapes a minor. They exploit the power dynamic until the point that it seems normal to the kid and they use shame and other factors to keep the kid quiet. It’s discomfiting to read.
It’s this unexpected complexity that caused me to boost it up to 3 stars from 2. Because there’s just something unnerving (and maybe this was Ms Nutting’s intention) about very sexual descriptions (belonging to any smut-book) involving an adult and a minor (as in, it would have been WAAAY less uncomfortable if it had been 2 kids exploring sex for the first time) and the story is somewhat basic. I was prepared to give it 2 stars. But as I thought about the complexity of the dueling themes – why is society more OK with an adult woman seducing a young male even if it’s just as predatory and ruinous for the kid (potentially – I’m sure there are people who’ve had something similar happen and are fine) and I figured Ms Nutting had earned that extra star.
Anyway, the description on Goodreads is pretty accurate. This is a sexually explicit book and while Celeste’s thoughts are a fun romp, definitely trigger warnings for anyone who’s been a victim or is close to someone who’s been a victim. Although, (and I’m no psychologist) there’s perhaps some therapeutic benefit in being in Celeste’s head and knowing how much you were manipulated that it wasn’t actually your fault – adults are able to be more cunning because they have more life experiences, power, etc.
Got this as part of a bundle at Storybundle.com and I have to say that it was more enjoyable than I thought it would be. Frankly, some of the stories are scary in that the crime depicted is horrific and yet it’s told in such an engaging way. Also, this is a book in which reading the introduction is a good idea.
As per usual with an anthology, my per-story status updates:
“(dis) – A woman photographer who loves to take photos of abandoned places finds a dead body at one of them. The story goes back and forth in time while you learn about her obsession.”
“Sky Spider: A musician finds himself on a ghost plane with an important decision to make. Very beautifully written, even if it takes a bit too understand what’s happening.”
“Rough night in little toke: a tattoo in little Tokyo allows the guy to get people’s thoughts. Leads to a murder revelation.”
“Outside the circle: American journalist wants a big break story, but it lands him in huge trouble in Japan.”
“Monologue … – a very strange urban fantasy start which turns very dark. My favorite so far.”
“Best Interest: Yakuza and Godzilla – what more could you ask for?”
“Vampiric: Solving a mystery involving vampires in future Japan”
“Jigoku : A murderer looks back on the causes of his murders”
“The girl who loved shonen knife: Apocalyptic background to a girl in high school who just wants her band to win the audition. Second favorite story.”
“Run! : A crazy guy explaining why he HAS to kill – with a great twist at the end”
“Hanami: Kitsune legends and modern business plus a bit of noir detective work. Very fun read.”
“The Electric Palace: Reminds me a bit of Shoshana in Inglorious Bastards – theater owner, Yakuza, and world war 2”
“The long-rumored food crisis: terrifying tale of how evil people life become in a food shortage”
“Three cups of tea: Not sure I understand the ending, but the journey was neat”
“Out of balance: a man walks from his life to become a killer for hire. Great ending”
“The Saitama Chainsaw massacre: Although my knowledge of tropes meant I could predict the ending, it was still a heck of a ride to get there.”