I first heard MxPx 28 or 29 years ago. At the time my family was still a church-going family. This was my first experience with the idea of a youth group that played rock song versions of the praise music. So I was jazzed to go to church every Wednesday and Sunday. The middle school youth group also had a CD lending library. Thus was I introduced to DC Talk, Newsboys, Audio Adrenaline, and MxPx via their album Teenage Politics. At the time, although my household wasn’t one of those that was against dance, alcohol, or whatever books religious folks paniced about (since Harry Potter wasn’t out yet), we weren’t allowed to listen to current secular music because it was a bad influence. We mostly didn’t really know what we were missing. We didn’t have to listen to the religious station because, again, my parents weren’t fanatical about secularism, they just didn’t think rap and modern rock was something we should listen to. So we would listen to the oldies station. To this day, I know just about any pop song from the 50s or 60s. All this is to say that I had no reference point for punk rock. Compared to the other Contemporary Christian Music (CCM) artists out there, this was fast and hard and loud. I was fascinated. Also, unusually for CCM artists at the time, the music was more about being a teenager than it was about God. That’s not to say that God and religion aren’t mentioned on MxPx albums, but they weren’t the majority of what the songs were about.

I like listening to NPR’s It’s Been a Minute and today’s episode was a real doozy. Here’s the descriptive paragraph from the NPR page for the episode:

Every couple of weeks there’s a new story of a fan at a concert misbehaving. One fan threw ashes at Pink, another hit Drake with a cellphone, Miranda Lambert stopped her show when fans took selfies with flash photography. Extreme instances have landed performers in the hospital, but more often attendees have noticed the audience has gotten louder and more distracting than ever. Where is all of this coming from?

Noticed the Catbite sticker on the wall with the others

As I mentioned during my 2022 Music Wrap-Up, I got back into modern ska via Bad Time Records. So when Bad Time Records announced their Bad Time Records Tour 2023 featuring We Are the Union, Kill Lincoln, and Catbite - it was a no-brainer to buy the tickets. As a bonus, they’re also filming a concert film/documentary during the tour called This is New Tone. The show was at Union Stage in Washington, DC. It was my first timewer seeing any of these bands live, my first concert of 2023, and my first time at Union Stage.

I would have backed The PDX Broadsides’ Kickstarter for Relatable Content no matter what because I loved Trust Issues and I enjoy nearly all of their older songs. But the thing that made me spread the word everyone and try to get more backers was that they had a goal to do an East Coast tour. When they came to the New Deal Cafe in Greenbelt, MD I was finally able to see them live for the first time. It was also my second time seeing The Misbehavin’ Maidens, who opened for The Doubleclicks earlier in the year.

My fourth concert of 2019 was also the first one in which I had someone else go with me as Danielle went to her first concert of 2019. It was fun to have someone to share the experience with, especially her. Anberlin was the first band I introduced her to that she also came to like. Many of their albums were bonding moments for us from dating through our married life.

My second concert of 2019 was almost the exact opposite of the first one. The first one was a big outdoor concert venue (it was in Boston, but was configured like Pier VI in Baltimore) while this one was in the basement of a pizza place called Joe Squared. The first one featured pop artists that everyone has heard while this one featured niche bands that mostly nerds have heard. The first one featured full bands while the Misbehavin’ Maidens performed acapella and The Doubleclicks used an electric cello and other stringed instruments.

At the end of Red Hat Summit 2019 (post coming about that soon) there was a double-header concert with Neon Trees and Fitz & the Tantrums. Neon Trees started things off for the night. I didn’t look them up ahead of the concert, because Fitz was a huge band so I thought Neon Trees was just a local band opening for Fitz. Their section of the concert was a lot of fun even though I didn’t know any of the songs. The lead singer had lots of fun banter and seemed to really be enjoying himself.

I hadn’t seen I Fight Dragons on tour since Warped Tour three or four years ago (I missed an opportunity to see them at MagFest a couple years ago), but I really enjoyed that set and I’ve been enjoying their work on their new album. They’ve been sharing the progress of songs from acoustic roughs to rhythm roughs, and so on. It’s been a lot of fun to see how the songs evolve. Tickets were only $15 and it was at the Metro Gallery in Baltimore, so I figured I’d go check it out.

Concerts are certainly a funny bit of entertainment. When you go see a movie, you are going because you like the director or the actors or the idea sounded interesting. You see that movie and that’s the end of it. The same holds true for Broadway shows or Operas. But when you attended a concert, you have a few opening acts you probably don’t know. This is somewhat alleviated nowadays for the well prepared by a quick trip to Spotify or Youtube. After finally seeing The Protomen during last year’s Warped Tour, I was excited about seeing them in concert. My ticket informed me that I’d also be seeing Cowabunga Pizza Time and Lionize. Of course, the difference between concerts and other forms of entertainment is no accident. Opening bands are limpets on the bodies of larger acts, hoping to gain exposure to the fans of the main act. This works best when the organizer has paired up bands that work well together thematically. But, this is the obvious reason why you never know the time the main act is going on stage.