Gameplay

The adventurers had landed on a ship when they fell out of a portal. Captain Catapult interrogated them about where they came from and what they wanted to do. The team is able to convince him that they are from another world and need help getting back. Captain Catapult knows a powerful priest who has happened to have given him a letter to summon his friends (meta: the characters from the Dungeon in a Box campaign). The captain says she doesn’t know what they look like, only their reputation so he gives them the letter and sails them to the town of Bloom.

Gameplay

Now that Ariana has her parents’ key, the team returns to Rava’s temple and is escorted to the high priestess’ chambers. The high priestess introduces them to Griff the mechanist who examines the key. Unfortunately the key is spent, but the team is in luck as he explains he just made a new key to The Smithy yesterday. Griff explains that he is in a secretive organization called the Keeper of the Keys which is allied with the church of Rava. He puts his new key itno the air to open a portal.

It’s been an unusually productive few weeks for me when it comes to blog posts and there have been some updates and social media responses, so I wanted to talk about some of those here. (this isn’t to say that I will always create a post encompassing social media replies, I think they are just especially relevant)

On the 17th I wrote a blog post comparing Game Master / Dungeon Master books across TTRPGs. There were 2 replies worth pointing out. First of all, there was a post by Shades Corvid which confirmed my assertion that Pathfinder did have the Player Core and GM Core as one book in the past, but player demand wanted them as 2 books since the combined book was so huge. Kobold Press also wanted to point out that they consider the GMG to be an optional book. We could probably quibble over the tiniest details on that point, but they aren’t entirely wrong. I would argue that Wizards of the Cost could probably say the same about their DMG. It’s really only Paizo with the history of Golarian in the GM Core that would seem to be slightly less optional for anyone who wanted to play in Golarian.

The Adventure

Having resolved to take on the hill giant, the team took the wagon filled with food and started off along with Martha.

On the way to the giant the group found some traps that were too small to have been set by the giant. The adventurers went into a clearing and found a rock that had wolf fur on it. Hendrian investigated a tree and found a door in the tree. Upon opening the door, Hendrian found a preserved rabbit in the tree.

The Adventure

Since the team had been hired to look into the goblin situation in Trombei, they decided to meet up at the Horse’s Tails Tavern near The Brawls. As the team was eating a wizard walked in with a fire lizard on its shoulder. Scrabble invited him to join their group and they introduced each other.

As the team was talking to Unthar, the wizard, the captain of the guard came walking in with a Ravenfolk, Rikka the postmaster. Rikka had a job for the team. Rikka needed the mail to be delivered to Fern Wallow and their last mail carrier did not return. Rikka agreed to pay 5 silver each plus a bonus if the team found out what happened to the last mail carrier.

The Adventure

The team traveled to the Trombie region. While there, Scrabble tried to cultivate contacts in Trombei (meta: as a downtime activity). Scrabble cultivated a contact with someone in the streetsweeper’s guild in Trombei.

The team then went and stayed in Ponte Norde just north of Trombei. They were hired by the city guards to stop a weird cart that was going round and round through the square. The adventurers noticed dead animals and Scrabble said it reminded them of when they dealt with goblins before (meta: session 01).

The Adventure

Armed with knowledge of where the trinkets came from, the adventurers went to the cave to explore and investigate. As they looked around, they saw that one direction seemed to lead to spiders. Since Ghada was afraid of spiders, they went south.

There they found an underground lake and Scrabble used his unseen servant magic to bring a boat from the middle of the lake to the shore where the adventurers were waiting.

Continuing my recent spate of posts documenting my evolving thoughts on TTRPGs as I learn more about the hobby, I wanted to share my thoughts on people playing older releases of TTRPGs. As I’ve mentioned this week (and previously) I started off with D&D 5e 2014. For the beginning of my time in fandom all I ever heard was that a lot of the greybeards thought that D&D 3.5e was the last good edition and either kept playing that or moved on to Pathfinder 1e (which was based on it and has been nicknamed D&D 3.75). Tainted by thinking about this in the same way as software, I thought this was like people who were still using Windows 95 or MS Office 2003 because they refused to learn the latest interface and hated dealing with change.

The classic TTRPGs like Pathfinder and D&D (along with 5e fork Tales of the Valiant) have at least 3 main sourcebooks. (See my previous post about expanding those options) Many newer systems like Daggerheart or Cosmere have only one book that contains both player and game master sections. On the one hand, it’s nice to just have to buy one book and have everything all together - there’s often a lot of overlap in what content is for the player and what is for the GM. That said, in a previous iteration, Pathfinder had all the information in one book and people complained that the book was too massive.

I love using FoundryVTT to play TTRPGs online and I have played many game systems. Which one has the best support in FoundryVTT? Click through to watch the video and find out.

As someone who is relatively new to TTRPGs (~3 years at this point, give or take), I first started with D&D 5e 2014. Before I could buy too many adventures or campaigns, D&D 5e 2024 came out. So, in my mind, a TTRPG should have 3 core books containing all the species (formerly races), classes, subclasses, monsters, and so on needed to play. Then, in 2024 I heard about the 5e fork Tales of the Valiant. If you’ve spent any time on my blog recently, you know that we’ve gone all-in on Tales of the Valiant, and haven’t really played D&D since. But I thought it was weird that Kobold Press started doing kickstarters for Monster Vault 2 and Player’s Guide 2 and were adding new species/ancestries in The Labyrinth Worldbook. “Well,” I told myself, “D&D has been around for 50 years. It’s had time to establish itself. Maybe KP needs to just put these books out now?”

I grew up in the days of Nintendo vs Sega. But that’s not the only rivalry I’ve been around. There was also Emacs vs Vi/Vim. And Windows vs Linux vs Mac. Basically, anywhere there’s a choice, a huge swath of humanity takes the stance that whatever they’ve chosen is the only good choice and every other choice is bad or dumb. But not everyone! Time and age have taught me that whenever there’s a bifurcated choice like that, it’s often because each is catering to a different need or way of thinking that appeals to enough people to sustain an alternative. With that in mind, as I’ve moved beyond my original TTRPG (D&D) and explored other options, I’ve seen that each publisher seems to have certain strengths. In the spirit of putting something positive out there in the world, here is what I think each publisher does best:

Gameplay

In the 2 weeks that have passed, Appaluna did research trying to find a lead on her quest to find the Servants of Nidhogg and how to rescue her sister. She learned she should go to the temple of the Goddess Rava, patron of Zobeck.

The team entered the university and made their way to Orlando’s study. Orlando was working on a gearforged body. They delivered the box which had a special brain gear for gearforged. They mentioned what happened to the thieves who tried to open the box before. Orlando explained that the effect on the box was a security mechanism that Aalthic (socerer that gave them the box) uses to make sure no one can open his packages.

Narrative

The party has agreed to work on a dwarven airship in exchange for free passage to Zobeck. Razzit Greyborn (captain) shows them around and shows them where bunks are and introduces them to the crew. The night shift is currently sleeping in the bunks. One of those asleep is a tiefling. The adventurers are helping out by filling in so that the crew can work in shifts.

At the navigation area, Appaluna helps them fly through misty conditions and they just barely miss a mountain.

I was a backer for Kobold Press’s Monster Vault 2. Here’s what I thought about it:

A while ago I wrote about the need to spend money for each publishing type of a TTRPG “book”. My opinion at the time was that the PDFs should come for free with the physical books and I was annoyed, but somewhat understanding of the need to charge extra for a VTT version of the book. My thoughts have evolved somewhat, so I wanted to write an updated post on the different ways a book could be published and what I thought about it.

The Adventure

Before the group sets out Appeluna’s patron tells her that she’s doing a good job and grants her access to more power (meta: attains lvl 6).

It’s a 3 day journey to Reywald. The first two days and nights were uneventful. On the third night Ariana’s on watch. She falls asleep for a second and when she awakens just a few minutes later the package from Aalthic Bellin, the sorcerer, is stolen. She wakes up the rest of the party and tells them what happened.

As I mentioned back in my May 2025 Kickstarter update, I backed the Kobold Press Tales of the Valiant Labyrinth kickstarter. I got my materials recently and made the following videos to review the final product.

This is about the content of the Beadle and Grimm’s GM Vault:

This one is about the FoundryVTT Modules:

The Adventure

Scrabble spends the next week doing some tinkering. He also offers up repair skills and fixes clocks for caravan. Finally, Scrabble spent the week teaching Seno how to use smithing tools.

Seno used the travel time to study a new cantrip and also joins the caravan as a guard. Ghada researched Goblins (meta: gains advantage one time in a future encounter)

A week later, the caravan arrived at the town of Fernhaven. The party helpe dto unload supplies at The Pierced Hart Inn. They are offered a room at the inn. Scrabble negotiated to play bagpipes or lute for the guests later.

The Adventure

The team took a week in Wollerton to recover from their efforts to free the area from the machinations of the Servants of Nidhogg. The local Baron gave them each 100GP and a plot of farmland. At first they thought to set up a base in Wollerton, but it was deemed too remote. They decided to lease the farmland for a rent of 10cp per month. Gratiosa’s parents also sent them a reward of 600GP for freeing her and also said they would put in a good word with Appeluna’s parents.

As I mentioned back in my May 2025 Kickstarter update, I backed the Kobold Press Tales of the Valiant Labyrinth kickstarter. I got my materials recently and made the following videos to review the final product.

This is about the content of the books:

This one is about the physical product:

Last year I was a Kickstarter backer for Faster Purple Worm, Kill! Kill! By Beadle and Grimm. (Available for Pre-Order here). I was originally going to use it as a low-stakes way to introduce some family and friends to TTRPGs. It would be low-stakes since everyone is expected to die at the end anyway, so no one has to feel sad or disappointed if they die since it’s expected. However, the timing of getting together hasn’t worked out well recently.

Today Kobold Press opened up the Kickstarter for thier Player’s Guide 2. While Kobold Press has already done a couple Kickstarters that are going to dramatically expand Tales of the Valiant when they come out later this year (Enter the Labyrinth - both a campaign book and a setting book; Monster Vault 2 - an expansion of their bestiary), Player’s Guide 2 is a huge expansion to the Tales of the Valiant ruleset. I, for one, am very excited about this update. Actually, I’m not the only one - at the time that I am writing this (end of the first day of the Kickstarter) there are 1461 backers that have pledged $114,000 against a $50k goal. This means after just about 8 hours they’ve almost reached 3/4 of their stretch goals.

Back in October I made a post about the TTRPG kickstarters I’d backed. Here’s an update:

Backed in 2025

• Humblewood: Beyond the Canopy by Hit Point Press - Part 2 of the Humblewood story. My kids are very excited that this kickstarter is due to be fulfilled this year (for Digital items). While I’m glad we don’t have to wait until next year to play and while it means that maybe the USA tariff issues will be done by then, the fact that physical delivery is 6+ months after digital kept me from ordering the whole physical item she-bang.

The Adventure

The team’s boat arrives at Wollerton. As they arrive, they hear the sounds of a brawl at the local bar. After someone is thrown out the window, the adventurers attempt to calm the bar brawl. There’s also a halfling with a sign yelling that the end is nigh. The party tries calmly asking people to stop, but the humans and dwarves do not listen. A mastic that belongs to one of the brawlers ends up biting Jackal. Eventually they end up dragged into the fight. A human and dwarf attempt to head butt each other and knock each other out. Eventually Appeluna ends the fight by casting sleep on the brawlers.

The Adventure

The team arrived at Moonlight where the scrawler dropped them off in the middle of town. The old orc and Silgre both also got off the Scrawler. After a brief conversation, the adventurers decided to go to the mayor’s house first. There they were hired to rid the town of kobolds. They agreed on a payment of 25GP per person and 3 nights room and board paid at the tavern.

If you’ve been reading my blog for the last few months, you know that I have fallen in love with the TTRPG publisher Kobold Press, creators of Tales of the Valiant. They recently held their second virtual convention, KoboldCon. I wanted to write up a quick review of what is effectively my first TTRPG convention.

First of all, the virtual aspect of the convention. During the COVID pandemic convention season (2020-2021), I attended quite a few virtual conventions - usually programming language conventions like PyCon. Many of those attempted to recreate the physical aspects of the convention like having virtual hallway tracks and profile areas where you can get to know your fellow attendees. Kobold Press went for a lower tech solution, but one that I think worked perfectly for what they were trying to do.

The Adventure

The adventurers had been working with Kylana for the past month to try and figure out how the mycaloid water source was poisoned. A gnome arrived with a wedding invitation for Ariana from her college friend, a gnome named Favienne Northcord. The wedding is in a town called Moonbright. It’s far enough away that they decide they will take a scrawler to get to the town.

As they are waiting at the ticket booth to purchase a ride on the scrawler, two dwarves show up looking beaten up. They tell the townsfolk that there are some goblins attacking all wagons headed into the town. The mayor tells the adventurers that if they help eradicate the goblins, their tickets on the scrawler will be covered. The team agrees to deal with the goblins.

I’m the forever-GM for our house. The kids prefer for me to GM and I don’t know anyone in person who can match my schedule for a regular game and who wants to take on the GM responsibilities. When one of my players from last week’s New Gamemaster Month game wanted to host their own game, I jumped at the chance to be a player. Also, I wanted to repay their kindness for being in my game.

Gamemaster Month Lessons

January flew by and it was time to read the last two lessons before running the game as the capstone project for this class. Tuesday’s generic lesson was about gathering what you need to run the game. I didn’t really learn anything with that lesson, although I did like the acknowledgement that VTTs can offer some benefits over in-person play. The Tales of the Valiant part of the lesson included links to the character sheets as well as their ToV extra Lineages and Heritages PDFs for free (normally ~$3-$5 each).

The first time I played D&D my brother, the Dungeon Master, did the math for me. Later, when I was ready to start serving as the dungeon master for my kids we had dndbeyond. The character creator on dndbeyond does a great job of bringing together information from across the Players Handbook into one easy to use location. Since the web app is doing the math for the player, it’s easy to select various different options and see how the changes ripple through the system and result in different bonuses to the characters. It wasn’t until late last year when I was getting ready for Tales of the Valiant that I had to do character creation manually. (Kobold press does not maintain an automated character creation app) It took a LOT longer (as does leveling up), but I think it’s worth doing it at least once. (If not making it your default)

The only constant in the universe is change and so of course I should come to tabletop roleplaying games right when there’s a big shift. Dungeons and Dragons 5e came out in 2014, but I didn’t know that when I picked it up about 2 years ago at the behest of my kids. And it was D&D instead of Pathfinder because that’s what my brother had introduced them to at Christmas the year before. As soon as I spend a bunch of money on the big three source books (Players Handbook, Monster Manual, and Dungeon Master’s Guide) they decide to revamp the game in 2024. Perhaps learning the (right? wrong?) lesson from D&D 3.5, they don’t christen this new version as 5.5e. The publisher, Wizards of the Coast, goes to great lengths to say that the game is both backwards and forwards compatible. That is, old adventures will work with new 2024 characters. New adventures (or at least recently published ones) will work with 2014 characters and monsters. Somehow in all that chaos I also found and became interested in Kobold Press’ Tales of the Valiant. Tales of the Valiant is a fork (in the free and open source sense of the word) of the 5e system. For now it remains highly compatible with D&D 2024. The forks may eventually diverge, making Tales of the Valiant the Pathfinder (which split off from D&D 3.5) of this generation. (The fork happened because of the OGL license scandal of 2023 when Wizards of the Coast attempted to change the terms of the deal. What I found interesting is that there was a certain feeling in the air - either among the players or the developers - that led to a lot of convergent evolution in both D&D 5.5e and ToV despite the ways in which they are different. (quick disclaimer to say that this isn’t a post about which is better or which you should play, just what I’ve noticed is different)

New Gamemaster Month continued this week by building on the idea of the encounter. Tuesday’s blog post defined an encounter and the homework was to read Homework to read Encounter and Spell Casting pages from Tales of the Valiant (pp221-245). Also read ch 1 of Guide to Labyrinth. (This gave me many new ideas for my Midgard campaign). Thursday’s blog post and homework were to think about the atmospherics of the encounters.

I honestly cannot remember what made me decide to check out Tales of the Valiant as an alternate 5e ruleset. But we decided to check it out and start our first Tales of the Valiant campaign. If I have my way, this will end up being our longest running campaign. Time will tell.

Character Introduction

Appaluna Harrietdaughter (Female Human Warlock)

Stats

• Heritage: Vexed
• Background: Courtier
• 28 years old
• 6 feet tall
• Brown eyes and hair. Caucasian skin color.

Backstory

Appaluna was born to a noble family. She grew up in comfort, but was often bored and unhappy. When she was 20 she made a deal with an otherworldly creature. Some of the maids found out, and word got out that Appaluna had made a deal with the devil. Appaluna was cast out of the court in disgrace, and now works to try and earn enough money to buy her way back to nobility.

As part of New Gamemaster month, I continued my prep work within FoundryVTT to be ready to host my game in February as the capstone project for class.

On Tuesday our homework was to learn the rules of Tales of the Valiant and watch the creators of Tov play the game. I learned a lot from watching the video, especially with how the GM often invited the players to contribute to their shared history rather than dictating it. I also enjoyed how the players would play along (“yes and”) if the players had their characters forget the name of their nemesis.

It wasn’t that long ago that I wrote a blog post reflecting on being the family dungeon master for the past year. So I’m going to try and avoid repeating too much of what I wrote there. At the time that I wrote it, I wasn’t considering making tabletop gaming one of the topics I reflect on at the end of the year. However, it has become a pretty large part of my leisure and it may continue to grow in the amount of my free time that it takes up. I think, for this year, I will divide my post according to campaign. We’ll see what makes sense next year.

As part of New Gamemaster month, I continued my prep work within FoundryVTT to be ready to host my game in February as the capstone project for class. Whether you’re on the main page of the blog or reading through an RSS reader, click through to see the YouTube videos of my session prep. (Walls & Lighting, Character Creator, and vanilla combat)

As I mentioned a few days ago, I’m participating in New Gamemaster Month. The homework for the first class was to choose a game system to learn and run. I chose Tales of the Valiant because I like it and I will be running a huge ToV campaign for my kids in the coming months.

The organizers recommended practicing what you’ve learned by the end of the month by running a game. The second class was about selecting an adventure and finding players. Kobold Press recommended The Impregnable Fortress of Dibs as it’s short, fun, and is a great level one introductory adventure. For finding players they had a few recommendations, including the #LFG channel on their Discord server. (LFG stands for lookign for group) Finally, potential new GMs were supposed to read the introduction to the Players Guide. I’d read it before, but I re-read it to get it fresh in my mind.

Spend enough time on the internet, (especially /r/dnd or /r/dndbeyond) and you’ll come away feeling like TTRGPs are over, Wizards of the Coast is ruining your childhood, and a million other negative thoughts. But as I was watching the latest promotional video from Wizards of the Coast for the “2024” Monster Manual, I realized that the hobby is in the midst of a creative spurt. So I wanted to write this short post to share some joy as we start 2025.

Whenever I get the chance, I like to watch the Kobold Press YT series Kobold Chats. Kendo, the community manager for Kobold Press, goes over various tabletop RPG topics - usually revolving around Kobold press releases or blog posts from that week. Occasionally they do interviews with Kobold Press employees or with others in the TTRPG space (like someone from Roll20). Kendo has a very fun personality on the chats and it’s hard not to find myself grinning at his antics. This last week’s video (linked earlier) mentioned something I wish I’d known about last year - New Gamemaster Month, an annual event to increase the number of game masters (also sometimes called dungeon masters) by providing a month-long tutorial on the process. Last January I would have been about 6 months into my GM journey and could definitely have made use of the month. However, that doesn’t mean all is lost for me. Whenever I teach myself a new skill - programming, photography, TTRPGs, etc - I will usually eventually seek out a class if it interests me enough. I’m not sure how unique I am, but I find that whenever I’m self-taught I end up with gaps in my knowledge compared to learning in a class. ALSO, I’ve always found that if I’m learning any skill that isn’t TOO basic, I learn it much better the second time through. (Obviously, if it’s too basic, it would just be boring the second time through) So I’ll be participating in New Gamemaster Month this month. If I’ve piqued your interest, follow the prior link. There are a bunch of game companies participating and you can use one of their games to learn how to GM. As is often the case, most of the companies are small-to-midsize (ie Wizards of the Coast is not represented). The games represented are:

I don’t have time tonight for the photo editing required for my Dice Envy advent calendar post, but I did have time to turn your attention to a couple professionals in the TTRPG space that have done some retrospectives on the year. They also happen to overlap with my 2024 a bit, which is what made me want to share them.

First up, game designer Richard Green shares his year in 2024 TTRPG gaming. Mr Green worked on the Labyrinth World Book for the Kobold Press kickstarter that I pledged to. I’m excited about the concept behind the campaign setting as described in the kickstarter. The titular Labyrinth not only ties together worlds created by Kobold Press, but they encourage DMs to also use this to tie into campaign settings from Wizards of the Coast (since ToV is currently pretty compatible with 2025 D&D 5e) or from any other publisher of D&D or ToV content. I know I already have some plans to have a lot of fun with my kids and the 5e Multiverse once this book comes out some time next year. (I’m also interested in his Parsantium world which is also now an official world in The Labyrinth)

When I first played D&D with David maybe 3 Christmases ago, one of the most baffling things for me to understand was my character sheet. Take a looka t the first page of Sam’s Dungeon in a Box character sheet:

Ignoring how busy this page is, one of the biggest design issues I see right away is that all of the trait boxes are incorrectly prioritized. I have seen people argue for completely eliminating the scores from the sheet because you don’t ever use those scores. Instead, you use the modifiers (the +# or -#). Yet on this sheet those numbers are teeny, tiny compared to the numbers that are functionally useless. (Except during character creation) I would otherwise say there’s not too much that’s bad about this page - it gives you the information you will need most often. The second page has information you might need to refer to so that you don’t need to keep referring to the Player’s Handbook (PHB)

As I was looking back over my old blog posts, searching for things that needed fixing in this migration over to the Hugo static site platform, I saw that I used to write brief blog posts about the Kickstarter campaigns I was backing. Since 2013 I’ve backed somewhere around 70 or more kickstarter campaigns. Since I usually don’t back anything that involves hardware, so far I haven’t had any of the campaigns disappear without giving me what I backed. Recently I realized I had backed an inordinate amount of D&D campaigns (I tend to fall pretty deep into hobbies). So I thought I might resurrect my Kickstarter posts to follow along with the D&D campaigns I’ve backed.

I can’t find the exact blog post, but some time in the last few months I had a throwaway line about how I was a little frustrated in how D&D’s digital assets were handled, particularly the fact that they are tied to platforms. That is to say, if I bought the 2024 Player’s Handbook on Roll20, I wouldn’t also have access to it on DnDBeyond. I think there are really 2 reasons this hasn’t blown up more: 1) many of the platforms only require the DM to purchase content (if it was required of all the players, I think there’d be a revolt) 2) D&D is still primarily an analog, pencil and paper game. That said, this issue has started to become a bit more relevant to me, so I wanted to get some ideas out there (and maybe vent a little).