As I’ve done for the past few years now, a self-portrait at the end of the year to document how I looked this year. This year I went with both a split-tone shot and a black and white shot.

I thought last year’s description was perfect, so I’m going to repurpose it here. Yeah, yeah – even before Instagram was a thing my family was already making fun of me for taking self-portraits or for my 365 project of self-portraits 8 or so years ago. But for me this is part of my most primal photographic urge; even stronger than the urge to create art. It’s the urge to document my life and the life of those around me. And so I take these self-portraits at roughly the same time every year to be able to view them as a series documenting my aging. And so here is the one I took in 2019.

As I continue to work through my backlog of photos from last year (I’m finally done with 2018 after this post!), I come to my annual self-portrait. Yeah, yeah - even before Instagram was a thing my family was already making fun of me for taking self-portraits or for my 365 project of self-portraits 8 or so years ago. But for me this is part of my most primal photographic urge; even stronger than the urge to create art. It’s the urge to document my life and the life of those around me. And so I take these self-portraits at roughly the same time every year to be able to view them as a series documenting my aging. And so here is the one I took in 2018.

I wanted to do this earlier - somewhere around 2 month portraits. I was re-energized to try the idea after seeing someone do a photo that made it look like their kid was bounding out of the crib with her stuffed animals. I did not take the Sam and Stella images from some other random image. They were right there where you see them. All I did was erase my body (or I’d be in here thrice). Still, if I were to do it again, I’d have Sam and Stella flying near me rather than against the wall. They end up too small and it lessens the impact of the shot. Well, there’s always next time. (And there’s always less edited shots!)

Welcome to a new set of posts in which I take a look at the t-shirts I’ve accumulated and comment on why I have them and what they mean to me.

It was the 1990s. I was fully into my Christian revival and the USA was into swing music. I was at a concert to see my new, favorite ska band, Five Iron Frenzy.

I was there with friends from school/Church:

(Full size here)

Whether or not you consider my 365 Project to be a year’s worth of selfies depends largely on whether you believe in the point of 365 projects. But I would say the selfie is more like the pictures you see on Facebook. Like others I viewed them with disdain. Then I came across an interesting article.

I know most people hate selfies. They groan and complain about them, from the duck lips to the filters. Why, just the word “selfie” can induce legendary amounts of eyerolling.

I forgot what the term was called, but you know how it goes: you learn a new concept and suddenly see examples everywhere. (Or look into buying a new car only to discover that “everyone” is driving it) Once I jumped into the rabbit hole of Disney Princess Culture and our daughters, it seemed to be never-ending. I happened to come across a post in my feed reader in which a photographer was trying to figure out how to photograph her daughter for her 5 year old portraits:

One of the biggest trends on flickr is to start a 365 Project. This usually means taking one self-portrait a day for an entire year. This project is often misunderstood by those outside of flickr, especially since they’re used to the selfie-culture of MySpace and Facebook. It’s not a vanity project. A 365 Project is about taking the adage about becoming a better writer through writing every day to photography. It also has a special bonus of teaching the photographer what it’s like to be the subject. Many of us photo-geeks are behind the camera way more often than we’re in front of it. Sometimes we struggle with how to communicate to our subjects how to achieve the vision we have in our head. By being both the photographer and the subject, we learn to appreciate both points of view.

Back when I compiled the Top 200 Photos feature, this was #10: and now it’s: which was not in the top 20 before, so it has really gained a lot of views.  That comes from the fact that it’s on Pixel-Peer as an example of that lens’ abilities.