This is a short series I’m going to run here on the blog featuring photos from my most recently developed roll of medium format 120 film taken with my Yashica A twin reflex lens camera. I’m grouping photos together by subject.

Between the last post and this one is one photo that didn’t turn out. I’d taken a photo in the woods during my Nude in Nature photo shoot that, unfortunately, was severely underexposed. For a year the camera sat untouched. I wasn’t sure what I wanted to shoot. There isn’t as big a street photography scene  here as there is in NYC. Because I had ISO 160 film in the camera, I couldn’t use it for indoor shots. So what to do? Well, I started talking photography with one of Katie’s aunts and so I decided to bring the Yashica to Dan and Katie’s Engagement Brunch. And, who better to take a photo of than my grandfather. He’d probably been photographed with 120 film when he was young. It’s not a technically great photo what with the leaf shadows. But I like it. Still, this is what shooting film helps you remember - you need to look at all the detail before you shoot. You don’t get a redo by the time you have the film developed.

This is a short series I’m going to run here on the blog featuring photos from my most recently developed roll of medium format 120 film taken with my Yashica A twin reflex lens camera. I’m grouping photos together by subject.

It’s interesting that after the photos I took at the park, I put the camera away for almost exactly 4 years - these photos are from 13 April 2015. We don’t go to the Cherry Blossom Festival every year because it seems pretty pointless. The same trees and masses of people do not make for the best of times. But, with Scarlett finally 3 years old we figured she might enjoy it this time around.

This is a short series I’m going to run here on the blog featuring photos from my most recently developed roll of medium format 120 film taken with my Yashica A twin reflex lens camera. I’m grouping photos together by subject.

These photos were taken on 30 April 2011 when Danielle and I went to Centennial Park. I tend not to be an absolutist with most things. I am neither of the opinion that digital is the only way nor that film cameras are some magical instrument capable of some authentic capture that cannot happen with digital. Instead I cherish each for their different properties. One of the neat things with film cameras (especially given that we have digital cameras and film is just extra), is forgetting what you shot and being pleasantly surprised when you get your roll back.

[caption id=“attachment_6300” align=“aligncenter” width=“640”] Aida at the Park back before digital[/caption]

I have mentioned many times before how much I was into photography back before digital existed. Despite film and developing costs subsuming all my allowance money, I still took tons of photos. Three years ago, I decided to check out the film photography renaissance. In April I got my first batch of film and a Holga. And soon I had shot some photos. And a few weeks later I had my Holga and Yashica film back.  And since then I’ve … not shot very many more rolls of film. There are a few reasons for this; some of them don’t even have to do directly with film. For example, I’m just taking less photos in general. A lot of that has to do with Scarlett. I have lots of photos of other kids in the family because you can hang back when it’s not your kid. You don’t have to worry about anything- someone else is taking care of him or her. But children, at least at the toddler and below stage, require a lot of attention. Also, I want to be present in her life. In order to photograph you have to withdraw a bit. And that’s fine when they’re five or six and off playing on the playground on their own. But Scarlett needs our assistance and attention to be able to use pretty much any part of the playground. Indirectly, because I have a desire to play with her in a way that my father couldn’t (his 9-5 rarely ended at 5), I have to be a better manager of my time. And I have committed to writing more this year. And there are some games I want to play. And there’s TV and time with the wife. Also, I am traveling less and I don’t happen to find Baltimore anywhere near as photogenic as New York city or Oahu.

Thursday (22 Apr) as I drove into work, I knew the first few hours would be unbearable. My photos were waiting to be picked up from L’Imagerie, but they weren’t open until 1000. So I had to wait until my lunch break to go pick them up. The whole day I didn’t know what to expect. I’d never had medium format film developed and, while I’d had contact sheets with my APS film, it was not a true contact sheet.

At the time that I write this (about two weeks ago), I have run three rolls of film through my Holga, my Yashica A has arrived (unfortunately, too late for the wedding), and I have taken my film to L’Imagerie in Bethesda, MD to be developed. I used the Holga, along with my DSLRs, at Ho and Lauren’s wedding and I took some photos on the Brighton Beach/Coney Island Boardwalk. I also took some outdoor candids of Danielle’s family. One question was asked constantly: why are you using film?

As I researched medium format photography in deciding whether or not to participate , I came face-to-face with a trend I’ve seen in other fields. As the technology has “progressed”, users have actually found themselves with worse and worse results. And, just as in other technologies, it is a tale of choosing convenience or cost in favor of quality.

As I write this I have shot 3 frames on my Holga 120N . It’s been a long time since I had to wait to see the results of a photo. One of my favorite aspects of film photography in the olden days was to get my roll(s) of film back from the drug store and being surprised at all the photos I had forgotten taking. But now I really want to see what’s on the rolls! Digital has spoiled me! Also, I’m curious to see the Holga work its magic!

Boy have we become spoiled in the digital age. I’m not sure when this will be posted, but at the time of writing this, I have a Holga 120N and a bunch of film at my desk. I bought a couple rolls each of colour and black and white film in ISO speeds of 160 and 400. I have no idea what to load into my Holga! With my digital camera I can change ISO on the fly. Dark outside? Increase the ISO. Want a slower shutter speed when it’s bright outside? Decrease the ISO. But with film I’m stuck for 12 frames with whatever I put in there!

It would seem insane to even consider getting into analog photography in 2010. But, as I wrote in my tet travelogue, I’ve been bitten by the bug. I think, had I been able to take photography classes and develop my own negatives and learn about aperture and shutter speed and all that with analog cameras, I might not feel such a need to discover the past now. But, when I get an idea into my head it’s pretty hard to dislodge it. Additionally, I see all these photographers on flickr waxing about how they have discovered or rediscovered film photography. Another photographer whose blog I have been reading recently wrote an ebook about how he has rediscovered film and will now shoot both film and digital. All this conspired such that recently I went through another round of deciding whether I wanted to do some film photography.