Throughout the month of October I alternated between listening to newly acquired music (of which I had quite a bit) and a dynamic playlist that was weighted so that most of the music had auto-ratings above 90, less music above 75, and even less above 50. Any song that I listened to only once would fit in the third category. After that, if I skipped it just once it would fall out of the group. So it gave me a nice mix of music including forgotten favorites. Now that I’ve listened to a good chunk of my library since the last time the Amarok database was corrupted I may modify the playlist to include the caveat that it couldn’t have been played in the last x days. I’m not sure if I want to make the date large enough that I only hear songs once per quarter or my standard two week waiting period. Given how little time I have to listen to music nowadays I might go for the 90 days. I also spent some chunks of time listening to my music on random on Google Music. That’s completely random so I end up hearing some songs I didn’t even remember ever acquiring. A lot of my new music came from Jamendo when I got an email with the month’s most popular songs and I decided to do a search for ska. Although I really enjoy ska, I got into it rather late so I don’t have very much ska music. (Mostly just Five Iron Frenzy, Save Ferris, No Doubt, and the Orange County Supertones - who are an OK ska band - I mostly like their least ska songs)

For people of my generation (and the younger ones of the previous one) video games are cultural phenomenon no less important to the way our brains work than books, music, or movies.  So it’s no surprise that our music, which has been inspired by books and movies in the past is now being inspired by video games.  What was surprising to me were all the different manifestations this inspiration has taken.