This year I bought LOTS of albums. I don’t know if it’s the most albums I’ve purchased in one year since writing these blog posts or even since keeping track of Scrobbles. I do know that while I listened to my music randomly, in general, I did also listen to entire albums whenever I purchased one. Sometimes I’d listen to the album a few times and other times I’d take the album purchase as an opportunity to review the artist’s previous work. I know that was the case with Five Iron Frenzy (although that was also concert prep as I mentioned a few days ago), Relient K, I Fight Dragons, and Fall Out Boy. It was a very fun year for me, musically. Kacey Musgraves, for example, was a reminder that country music doesn’t have to suck. Disclosure made me realize that I could still like loop-heavy electronic music. I hope that I can continue to explore new sounds in 2014.

This quarter I mostly listened to my music on pure random with a few variations which’ll be accounted for below. This finally allowed The Beatles to place in 2013. In the last few weeks I just listened to music that I added in this quarter to make sure I had a chance to get to know some of the newer songs.

[caption id=“attachment_7569” align=“aligncenter” width=“500”] FIF Concert (Nov 2013)[/caption]

K-Pop has been making a splash in America in a big way. Although they have nearly subsumed all music in Asia and are getting big in parts of Europe and the Middle East, K-Pop in the USA seems to be about where J-Pop was during the height of the anime/manga crazy in the last 1990s and early 2000s. That is to say, huge within a niche group that’s made up of expat/second gen immigrants and Americans who love asian pop culture despite often not completely understanding all the lyrics. Of course, things were brought into mainstream attention with last year’s “Gangnam Style”. There are quite a few articles that examined why Psy emerged as the face of K-Pop. If I had to pick out the top reasons, I think it would be the easy and silly dance, the catchy beat, the fun of yelling “Oppa Gangnam Style!”, and the fact that he’s a pudgy Asian man who doesn’t threaten America’s notions of Asians. As to that last reason, Dan sent me a few articles during the height of the Gangnam craze that suggested part of the reason other artists like Rain have had a hard time penetrating is that American can only accept the goofy asian (Jackie Chan, The Donger, Kevin Jeong, etc) or the Karate Asian (Mr Miyagi, Jet Li). Even though the 1800s are long behind us, we can’t accept the pop star sex symbol Asian man. If there is interest among my dedicated readers, perhaps Dan can post links or do a followup blog post. At any rate, there’s a much higher chance of female-led K-Pop groups infiltrating the USA - given that we already have the stereotype of the sexy Asian woman coupled with the fact that there is a huge emphasis on gender, sexiness, and cuteness in the K-Pop system.