The title of the blog post comes from an interview with Paul Graham featured in the Summer issue of Aperture magazine, concerning the Henri Cartier-Bresson exhibit I’ve been dying to see at the MoMA in NYC. The full quote was “Someone I know, who is working on the … Henri … [exhibit] … and has seen his contact sheets, said to me: ‘The “decisive moment” is bullshit.’ There are ten pictures before and ten pictures after every one of them;” Anyone who has studied photography for any length of time has been told that they will, with time, develop an eye for when something’s about to happen and then take the photo exactly the right moment. It’s an anachronistic bit of advice stemming from the days when each frame was expensive and you didn’t want people to shoot ten shots to get one. But, in the digital age, there’s no reason to be so stingy with your photographs. And, apparently, it’s a lie. Henri Cartier-Bresson is one of the masters - he’s featured in every photographic compilation I own. And he took dozens of photos just to get the one that touches people. That’s really the big secret that most people don’t know. For every photograph that you see out there by a professional, there are tens or even dozens of photographs he didn’t put out there. Even I (and I’m nowhere near the league of such people) upload only a fraction of the photographs I take. Every photo can’t be a gem. Sometimes it just doesn’t look as good as you thought it would. Sometimes you just missed that moment of pure emotion on the face.