It’s once again time for my latest Photojojo post. For those of you who haven’t been following my blog for a long time, Photojojo is a digital time capsule service. Every two weeks they send me an email that has my most interesting photos posted to flickr from one year ago.

In this installment: the first time we ever took Scarlett to the beach. Heh, I’d completely forgotten about that car-walker.

A cosplay photo:

See more photos from last year’s Baltimore Comic-Con here. Sadly I won’t be able to attend this year due to a family commitment.

If you’re taking concert photos professionally, you will get access to the pit area and will be able to photograph there for the first three songs. Put your camera into manual mode and, depending on the lighting, manual focus and try to get original and heartfelt shots. This blog post is for the rest of us.

First of all, unfortunately, you probably (MOST LIKELY) won’t be able to take your SLR and the lenses you’d need to properly photograph the event. The reason the photographers get to take photos for only the first three songs is to make sure they don’t disturb the people behind them so they aren’t going to take kindly to an amateur ruining things for others. At best you can bring in a premium point and shoot like the Canon S110 or G15. At worst you’ll be using your cell phone. The most important thing to know is that you need to turn off your flash and pump up your ISO. Anyone more than a couple rows back does not have a flash powerful enough to reach the stage and all you’ll be doing is lighting up the heads of the people in front of you.

It’s once again time for my biweekly Photojojo post. For those of you who haven’t been following my blog for a long time, Photojojo is a digital time capsule service. Every two weeks they send me an email that has my most interesting photos posted to flickr from one year ago.

I think in these photos Scarlett is finally starting to have the same facial features as 1.5 year old Scarlett.

Whether or not you consider my 365 Project to be a year’s worth of selfies depends largely on whether you believe in the point of 365 projects. But I would say the selfie is more like the pictures you see on Facebook. Like others I viewed them with disdain. Then I came across an interesting article.

I know most people hate selfies. They groan and complain about them, from the duck lips to the filters. Why, just the word “selfie” can induce legendary amounts of eyerolling.

If you have a huge party like someone’s 60th or a graduation party that you want to take photos at, there are basically three things to remember whether you’re doing it for money or just to document a special time for the family and friends.

If You Can, Get Photos of the Preparations/Empty Venue

Once the people arrive, it will probably be a controlled chaos that you’ll be trying to capture. People often put a lot of thought into decorations and centerpieces. Take some time to document them.

Back in 2009 I went to Manhattan at night with my Rebel XTi and my 50mm f/1.8 to do some night time photography at Times Square. The 50mm was key because its wide aperture allowed me to keep the ISO low and get nice, clear photos. (Although there’s something to be said for the aesthetics of grainy night shots of busy cities) Of course, it also helped that Times Square is quite well lit. Cities like Toykyo and New York City are well-served by color photography when you’re trying to document the crazy, colored buildings, but I think when doing street photography, it helps to have the output be black and white so that to focus is on the people rather than the colors. Here are my best shots from that night:

It’s once again time for my biweekly Photojojo post.  For those of you who haven’t been following my blog for a long time, Photojojo is a digital time capsule service.  Every two weeks they send me an email that has my most interesting photos posted to flickr from one year ago.

Again mostly Scarlett, but also a scan from a photo I took when I was in High School. Dan’s all the way on the left, in the water.

It’s once again time for my biweekly Photojojo post.  For those of you who haven’t been following my blog for a long time, Photojojo is a digital time capsule service.  Every two weeks they send me an email that has my most interesting photos posted to flickr from one year ago.

The video called Keyboard Scarlett comes from the fact that I found out I was able to make her laugh hysterically if I moved her hands back and forth on the table like Keyboard Cat. Interestingly, now that she has full agency over her limbs, she hates when I do anything like this.

Summer is here and for many of us that means going to a beach - whether it’s just a drive away or a cross-country flight. But that doesn’t mean you have to give up on photography!  There are great opportunities whether you want to do landscape photography, wildlife photography, or portrait photography. Let’s start by talking about equipment. The equipment you bring to the beach depends on your purpose for being at the beach that day or that session. If you’re going specifically to take photos, then you’re probably OK bringing your dSLR and, optionally, flash. If you’re going to the beach to enjoy it and also want to take photos, you’re best off getting an underwater housing for your camera or getting a weatherproofed camera. Sand and sea salt (which is in the air at the beach) are both VERY bad for cameras and could wreck your expensive camera. If you will be having fun you don’t want to take the chance that someone who’s with you or a stranger kicks sand onto your camera accidentally. Also, sometimes waves can come up farther than you realized at first. An underwater housing or weatherproof camera is protected from the elements. It also has the bonus of allowing you to carry it with you into the water (should you happen to be at a beach where you can get into the water) and lessens the chances of your camera being stolen.