High Key Scarlett (March 2020)

I love just about everything in this shot. Even the hair is pretty neat, although I would have preferred for it not to cross the middle of Scarlett’s face.
Hoodie Sisters

There was something about this image that reminded me of older snapshots. I think it’s the fact that it’s a candid moment, not perfectly sharp as Scarlett moved out of the focal plane; but it’s not out of focus - you can see that from the shirts. So when I was processing the shot, I went for an older look. I think I ended up applying a Kodachrome effect.
Scarlett Portraits
It was time to take some portrait shots of Scarlett. As I was getting set up, I decided that I wanted to try something new; something I’d struggled with before, but never been able to succeed at - a flash highlight of a black background. I’d seen Gavin Hooey use the technique to great success on his Adorama TV show on Youtube. But somehow I’d just never been able to get it to work well. So I decided to try and mess around with the setup before the photo shoot. Eventually, I found something that worked well for me. I think, reviewing the photos for the fifth time now, that as I have it set up, it works best for the closeup shots. For the 3/4 shots, it probably should have been either dropped a little lower or maybe pulled away from the background a bit more to spread it out a bit more. The setup looked like this:
2019 Annual Self-Portrait
I thought last year’s description was perfect, so I’m going to repurpose it here. Yeah, yeah – even before Instagram was a thing my family was already making fun of me for taking self-portraits or for my 365 project of self-portraits 8 or so years ago. But for me this is part of my most primal photographic urge; even stronger than the urge to create art. It’s the urge to document my life and the life of those around me. And so I take these self-portraits at roughly the same time every year to be able to view them as a series documenting my aging. And so here is the one I took in 2019.











