Another year, another look at my music trends for the year. It was another year of music acquisition (supporting the artists, ftw! - I knew Spotify wasn’t paying artists well, but Corey Doctorow’s book, Chokepoint Capitalism really brought home how much they’re screwing over artists), although I think things may slow down in 2023. Here are the albums I purchased in 2023:

• The Protomen - Presents: A Night of Queen
• Encantó soundtrack
• Moderator - The World Within
• Kognitif - Soul Food
• MxPx - Horns, Plans within Plans, Let’s Rock, Left Coast Punk EP, The Rennaisance EP
• Packy Lundholm - Track Sabbath Vol 1
• Lana Del Rey - Blue Banisters
• Catbite - Nice One
• Macroblank - entire discography - 14 albums
• Vicente Garcia - Lomas de Cayenas
• Girl Ultra - Nuevos Aires
• The Shape of Ska Punk to Come
• Me Like Bees - Songs from The Realm
• Kill Lincoln - Can’t Complain
• Jokabi - Chilltendo Deluxe
• Turning Red Soundtrack
• We Are the Union - Ordinary Life
• Chillhop Music - Essentials Spring 2022, Essentials Summer 2022, Essentials Fall 2022
• Anberlin - Silverline

New Music I got as a gift:

The last concert I attended was Jonathan Coulton with Paul and Storm back in June of 2021. At the time we thought perhaps we were out of the woods with COVID. Instead, variant after variant has COVID a never ending fact life. For a while I was thinking that perhaps we’d eventually vaccinate our way out of this situation, but the vaccines haven’t proven to quite work that way. So, after passing up on a bunch of concerts this year, I decided to go see I Fight Dragons with MC Lars and Schaffer the Dark Lord. I just decided to wear a mask to keep myself from getting sick (especially since I’ve still got a few races and meets left this year).

After spending the last year and change filling in the holes in the MxPx discography from when I last was an active fan with 2000’s The Ever Passing Moment, I have arrived at the final full album I was missing, Plans within Plans. I still have a couple EPs to buy, but this will probably be the last MxPx album review I write until they release their next album. As we went through the discography we saw the band evolve a bit and, either under label pressure or from wanting to explore musically, seem to veer into the territory of bands like My Chemical Romance and Panic! At the Disco. Plans Within Plans is MxPx finally coming full circle towards their original sound while also having evolved since their early albums. To me, this album sounds like MxPx just being MxPx, not sounding like any other band. They’ve learned and grown and both the music and lyrics reflect that, but they’ve come to appreciate who they really are as a band. This was one of those albums that took a few listens for me to truly appreciate. Onto the tracks.

Rap lyrics as a confession isn’t a new topic or question. I remember hearing about this a few years ago with someone who had rap lyrics on their Facebook page that was arguing it should be inadmissible in court. Just Googling “rap lyric confession” gave me these examples:

• The Controversial Use of Rap Lyrics as Evidence
• Song Lyric Confession leads to Murder Conviction
• Art or confession? NJ Supreme Court to rule on rap lyrics

and more. But today my wife was watching the latest episode of The Daily Show, which contained this clip:

This year I was able to attend the Paul and Storm / JoCo concert that COVID stole from me last year. While there I bought the entire Paul and Storm discography, but I think because I listened to it so much on Spotify in the past, I didn’t listen to it as much as I thought I would.

This was not one of those years where I came out ahead by not paying for Spotify. I bought a lot of albums, including starting on my quest to get the entire MxPx back catalog from the time I stopped listening in high school until now. (This is reflected in this year’s numbers)

I continued to catch up with the MxPx back catalog and purchased both Panic and Secret Weapon. My initial feelings upon listening were that I liked a lot more songs on Secret Weapon. But maybe, as with Before Everything & After this would turn out to be just a first impression where when looking at each song one at time would leave me feeling differently.

Elisa is currently the “default” KDE music player, replacing Amarok. I am just taking a guess, but I think that Amarok just ended up with too large a codebase to be maintainable at a reasonable pace. I’ve been using Cantata, an mpd player for KDE that’s currently on maintenance mode. On the one hand, I know that for many folks last.fm scrobbling (logging the music you listen to) is something they left behind in the 2010s. On the other hand, I’m not the only person who has commented on the ticket to get the Elisa devs to add support for it. (And you know I love the stats for my end of year posts)

On 30 June 2021, I attended my first concert since COVID-19 started. I was masked since the Delta variant is a thing and singing indoors is definitely an activity that increases transmission. Despite that, it was awesome to get to do it again and there was a real sense of joy in the room from both the audience and the performers at once again being able to engage in the ancient human ritual of enjoying music as a crowd.

Last October I came back to MxPx, as I detailed in this post about how the lyrics for Friday Tonight led me to finally watch Friday. Over the past half year I would return to their self-titled album on Spotify. (I don’t subscribe to Spofity, but I do use the free tier to discover new artists) Eventually I decided to go ahead and buy the Deluxe version of the album directly from MxPx. It doesn’t appear they’re selling the CD anywhere else (at least it’s not on Amazon).

(the first 3 paragraphs are a slight modification of what I wrote for an Amazon review)

The headline kind of gives it away, but this album definitely sounds like a cross between early/late MxPx and Good Charlotte. You can see on Wikipedia and other places that this was part of a 3ish album trend where MxPx moved more towards the pop part of pop punk. Kind of interesting coming back to it now. I was listening to MxPx albums as they came out in the 90s, but fell off with The Ever Passing Moment. I even briefly joined the fan club and still have the shirt. Because of Reese’s interview on Mike Herrerra’s podcast, I recently started listenign to their self-titled album, which sounds like their early stuff except with lyrics that match grown men the grown men they now are vs kids they were when writing Teenage Politics.