A pretty neat music video was made using Blender and it can be found here. It’s for the song “Machines” by KissKiss

The first battle in our war against those who would wield DRM to prevent us from having fair use over our movies and music has been won. EMI, a Bristih Music label with bands like The Rolling Stones, has agreed to release songs on iTunes without DRM. Please, try and support them and show them this is a good idea. Yeah, it costs thirty cents more, but you also get 256kbps instead of just 128. Buy from them and don’t rampantly share with others so that the rest of the music labels can follow suit.

“What happened to Roper? Is it dead? - Yes. Roper was a project put together by 5minutewalk records. We had a falling out with them, and are too lazy to start over again. Everyone has real jobs now, and although we miss seeing you all, we are just going to let it die. Unless you are a record company executive that wants to give us an enormous signing bonus and not make us tour.” -Reese Roper, source: Wikipedia, Roper entry.

if anyone can tell me the name of a group and album in which one of the tracks is simply a female who keeps repeating “eight foot fiberglass penguin”, let me know. I’ve searched google and everywhere else and can’t find it. Thanks! (I heard it on NPR, if it helps….)

As I read my Linuxtoday.com RSS feed today, I discovered a new piece of software. Songbird aims to be, in their words, “the Firefox of media players.” They seem to be on the right track. First of all, it works on all majors operating systems: Windows, Mac, and Linux (and by extention BSD). Second, it has taken a good, intuitive interface which appears to have based on a cross between Linux’s Rhythmn Box and Mac/Window’s iTunes. I downloaded developer release 0.2 to see what the fuss was about. Frankly, it’s doing quite well for just being a developer release!

last.fm has had a facelift! It looks quite a bit more sleek! The biggest change seems to be adding artist and album pictures near all of the stats. Check out my last.fm page.

Thanks to Danny, I am now a member of the yet another addictive internet site. Last.fm, which works with the Linux music player amaroK will collect all the songs you listen to. It will then display it on a webpage such as this one. If this was all it did, it would be mildly fun, but it combines the best of the social web phenomenon involved in web 2.0. Clicking on a song will tell you how many users listened to that song from that artist. It also has a “neighbors” feature where it lists other users that have the same musical taste as you. This should be interesting given the variety of music I listen to. Also, I have added a plugin to the sidebar here so that you can see the latest songs I’ve listend to on my Linux computer. These are the invasions of privacy I don’t mind since I’m volunteering this information. It’s when programs, websites, and ISPs take this information without asking me that I get annoyed.

Christian Rock/Pop music has been around since the 1970s when Larry Norman pioneered the genre. Since then it has become a HUGE market encompassing all areas of music from rock to ska to punk to rap. There is a large popuplation of Jews in the US, so why wouldn’t there be Jewish music? Finally, our country has put enough of our prejudices aside that I heard Matisyahu’s single “King Without a Crown” on the pop radio station here in the Baltimore Area.

Ever since I heard this song on the radio in Ithaca because my computer was broken and I had to listen to the radio to get some music, I’ve wondered what the heck the lyrics were about. I finally decided to google it and here’s what the singer, himself has to say about it.

In 2001, Brian Vander Ark explained what the song means to him: WHEN I WAS YOUNG I KNEW EVERYTHING. We all think we know everything at a young age. I thought I did. I realize I didn’t know sh*t until i was 36.AND SHE, A PUNK, WHO RARELY TOOK ADVICE. How many people do we know like that? NOW I’M GUILT STRICKEN, SOBBING, WITH MY HEAD ON THE FLOOR. Something happened, that caused this reaction, but I wouldn’t want to give that away this early in the song, so let’s through in an some ambiguity: STOP A BABY’S BREATH, AND A SHOE FULL OF RICE, NO. First of all, forget the NO. Stop a baby’s breath is just that. Abort the baby. A shoe full of rice is a result of a wedding. So - stop a baby’s breath AND then you stop a wedding. She’s pregnant, get her to abort, and then there’s no wedding. And you know what? I CAN’T BE HELD RESPONSIBLE, CAUSE SHE WAS TOUCHING HER FACE. When I wrote this song, The Divinyls had a song out called I touch myself. The TV was on, she was touching her face in the video. Very sexy. So, I can’t be held responsible because she was trying to be sexy, trying to seduce me, etc. I WON’T BE HELD RESPONSIBLE, SHE FELL IN LOVE IN THE FIRST PLACE. I didn’t tell her to fall in love. FOR THE LIFE OF ME, I CANNOT REMEMBER WHAT MADE US THINK THAT WE WERE WISE, AND WE’D NEVER COMPROMISE. What was i thinking back then. Who am I to put a girl though that? Why was I unable to compromise? Guilty feelings. FOR THE LIFE OF ME, I CANNOT BELIEVE WE’D EVER DIE FOR THESE SINS, WE WERE MERELY FRESHMEN. We were just kids, let it go, we all make mistakes, etc. MY BEST FRIEND TOOK A WEEKS VACATION TO FORGET HER. He needed to get away because of what happened. HIS GIRL TOOK A WEEK’S WORTH OF VALIUM AND SLEPT. This is why this song is not that strong literally - it’s confusing. HIS girl is MY girl. the same girl that had the abortion has now killed herself. NOW HE’S GUILT-STRICKEN SOBBING WITH HIS HEAD ON THE FLOOR, THINKS ABOUT HER NOW AND HOW HE NEVER REALLY WEPT HE SAYS. He has the same guilty feelings that I do about the abortion and death. WE TRIED TO WASH OUR HANDS OF ALL OF THIS, WE NEVER TALK OF OUR LACKING RELATIONSHIPS. We rarely spoke after the incident - we just tried to forget it. We never spoke of her or the fact that we can’t have a decent relationship with anyone since then. WE FELL THROUGH THE ICE WHEN WE TRIED NOT TO SLIP. No matter how careful you might be, there are other perils out there. The girl is real, the abortion is real. the death is not. it’s poetic license–to make the story more interesting.

“Dance, Dance, Christa Paffgen”

She’s got the time says she got time on her side Running the rule Commanding the late boys eyes She runs around, knows all the streets by name So mysterious, shadows meet James Dean She’s intoxicating, soon your favorite drink Your black dress in disarray Only dance floor prayers can save you Temperatures rise and I start to move But it’s you that’s coursing through my veins Say she’s got hope Took shelter to the Hollywood list, taking control Wanted my heart but I gave her my soul She’s like a Paige Davis with a Monroe kiss Disappeared today, left no trace But someday I’ll know your name Don’t need no drugs, you’re my chemical Now I’m dependent, swear I’m clinical Addicted to those glances, taking chances tonight I need a fix in those heroin eyes Don’t need no drugs, you’re my chemical Now I’m dependent, no not cynical Addicted to those glances, taking chances tonight I need a fix in those heroin eyes She’s no saint but she’ll take you to your knees Try her boy, but she’ll still do what she please Do you believe in science? She prefers chemistry She wanted my love but I gave her the rest of me Dear Stephen Patrick: You’ll adore me before the night is over If London’s calling don’t you dare pick up the phone Only you entwined could make this orphan feel at home Lips that need no introduction, but now waiting for your call if picture’s worth a thousand words Then your touch is worth them all