This year I have sponsored a lot of Kickstarter creative work, including lots of music. One that I was very excited to support was The PDX Broadsides’ latest album, Relatable Content. They started off as a pirate shanty band and have evolved into a nerd filk band whose songs range from silly to profound. I really enjoyed their last album, Trust Issues, which had some pretty timely songs like Noncompliant (superficially about the Bitch Planet comic, but actually about the Me Too era) and We Want Rey (about representation in nerd toydom). It also had some fun songs (both feature Christian as the lead) like Tiny Little Octopus and Robot vs Boy (which I want to see made into a mini-musical). Their last Kickstarter also had a dirty album called Lust Issues that continued their trend of Shakespeare music with the great Dirtbag Romeo and their dirtier songs from their pirate shanty days with It’s Just Sex.

I Fight Dragons – Project Atma (music): They were awesome at Warped Tour - I can’t wait until they go on the Projecet Atma tour. Manufacturing delays at the vinyl plant meant that the album was delayed. Still don’t have it - should be in my hands in December.

Jonathan Coulton, Greg Pak, and others – Code Monkey Save World (music and comics): Still missing the new music and The Princess Who Saved Herself. To be fair, the latter wasn’t promised until early 2015.

I Fight Dragons – Project Atma (music): Things are on track with IFD. They are posting awesome videos of the recording process. It’s already March so as long as there aren’t any more delays, the album will be here in a few short months! Also, they’ll be on the Van’s Warped Tour, so I’ll be attending Warped Tour for the first time to go see them (and quite a few other bands I really like)

It’s December and I should have gotten all of my Kickstarter products by now. But that’s not exactly what happened. Every single one of my Kickstarters was late except the one I had the least faith and relationship with - Random Encounter’s Let Me Tell You a Story.

I Fight Dragons – Project Atma (music): Holy COW! This band - my first Kickstarter - nearly disbanded over the Kickstarter! I thought they were the surest bet. They’d self-published their first few albums and they had rented a studio and had a producer and everything. However, they clashed over the direction the producer was taking them and almost broke up.

I’m writing this in late August - by the time this post appears I should have received all of my Kickstarter goods or they should be in the mail. Interestingly, even though the Kickstarter backer cycles were spread over about a three month period, they’re all supposed to be delivering the product at around the same time - 4th quarter of this year. As of the time of this writing, this is the status of my Kickstarters:

Back around May I backed Jonathan Coulton and Greg Pak’s kickstarter Code Monkey Save World. The ONLY reason I backed it is because of this stretch goal to have Takeshi Miyazawa draw a children’s book based on Jonathan Coulton’s song, The Princess Who Saved Herself.

if you don’t see a “play” button below, click just left of the left-most number and the song should play

[caption id=“attachment_6874” align=“aligncenter” width=“660”] The Princess Who Saved Herself[/caption]

Those of you who have been reading this blog long enough know that I often write my blog posts during my lunch break at work and set it to post at some point in the future. I’m writing this post almost 1 month before it is to appear on the blog. So in the middle of July I find myself in what many who have backed projects probably experience as the Kickstarter Lull. I backed a project by I Fight Dragons and interviewed them about it here and I backed a comic project by Greg Pak and Jonathan Coulton. During the backing period as a way to drum up support there was a constant stream of both updates and digital goodies. IFD, in particular, gave backers 2 albums (live concert recording and a conceptual album) and a concert film. A little while after the backing period was over, the projects contacted us for the info they needed to fulfill our backer rewards. Since then I haven’t heard from either of them. On the rational side, I’m glad they’re focusing on creating what we paid them to create. But after the constant communications it just feels odd to have “radio” silence. Now we just wait for the products to be created. In the case of these two projects, the members involved are all veterans: IFD put out records before having a record company contract and Greg Pak has already done about a half dozen Kickstarters. So, outside of catastrophe, I don’t fear for my money. I could see where this silence might be more disturbing with an unproven team.

A little over a month ago I came across an article on Boing Boing about the movie Zach Braff was trying to get funded via Kickstarter. It was interesting time as I had just contributed to two Kickstarter projects for the first time - I Fight Dragons’ Project Atma and the Code Monkey comic by Jonathan Coulton and Greg Pak. The Boing Boing piece linked to an article by Ken Levine saying why he wouldn’t support Zach Braff’s Kickstarter. His premise was essentially that Braff has money and should finance it himself or use his Hollywood connections. Save Kickstarter for the indie film producer/director. He mentioned that he didn’t want Kickstarter to get all corporate like Sundance. He had a response blog post in which he showed that his lamentations had come true - Melissa Joan Hart was asking for money on Kickstarter and was only offering to follow her backers on Twitter. Ten days later he posted his final response (at the time I’m writing this) in which he pointed out that Braff’s Kickstarter was pointless because he got “gap funding” anyway. Although I’m sure most of the air will be out of the tire by the time this post appears on my blog, I’d like to take the chance to refute and elaborate on some of what Ken Levine said. (Also, this isn’t the Ken Levine of Bioshock, just so you know)